I made this recording with my parents Danny and Nancy Lyon in March of 2017, sitting in their apartment on Avenue A in New York City where I was visiting for the occasion of my dad’s 75th birthday. This is Part II of a two-part interview. Part I can be found here.
– Rebecca Lyon
Willie (1985) – Murderers (2005)
DL: By the middle of the ’80s, photography is starting to take off, and I’m going, “Well, here I am, I’m probably the greatest photographer of my generation, I haven’t taken a picture in fifteen years, everybody’s making money, this is crazy.” I might as well announce that I’m still alive and still a photographer. And I start doing photography again. And I did the Haiti book [Merci Gonaïves]. We go into self-publishing. But the big period of making films that were mostly ignored and in that sense failures, is from around ’70 to ’86, and that includes Los Niños, ending in Willie, and all the films in between.
RL: I wanted to ask you about Michael Guzman. Because that’s such an amazing story about filming him later in life and then realizing he was in an earlier film.
DL: Right, so the great film I had made at this time was Willie, and ironically I made it while I was living in Long Island, not when I’m living in New Mexico. But you and I and the family had gone back to Bernalillo because we would go back on different summers and I was there, I think, with the camera. This might have been around ’82 or ’83, whenever I was shooting Born to Film and I took the camera with me.
I went downtown and I came back and said to Nancy, “I just saw Willie.” In fact, he had recently been released from prison but I didn’t know that at the time.
I had filmed Willie as a child in Llanito,and I had filmed him as a teenager in Little Boy and then he had kind of vanished. In fact he had vanished into the penitentiary for five years. But that day I was so stunned and I said to Nancy, “You know I’ve got to film him.” I did film him, and by the time we returned home, I said, “I’m going to make a film about Willie because I have the earlier footage.”
